Plugging things in here is always an adventure. Most of the outlets are the horrible giant British style so they have interlocked grounds, but most appliances are European style, so plugging things in means either using something to jam open the ground interlock, breaking the interlock tabs with force, or dispensing with the plug entirely and just stuffing bare wires in the holes.
When using the latter method, it turns out the British plugs are actually kind of useful because toggling the ground tab with a screwdriver uses the interlocks to bind the wires in place. You just hope the ground pin is wired to ground, not hot. Usually it just isn’t wired to anything.
Most appliances and power strips here come from China and are the sort of manufacture China was famous in the US for about 30 years ago: taking something out of the package usually breaks it. The wires inside are so thin it is amazing they survive and grounds are never, ever actually connected. I have cables that on the inside have a ground insulator but no ground conductor inside the insulator. Awesome!
But we just rewired the new villa and even though the ground isn’t wired (of course), the outlets are new and seem like they’re decent quality. And we even got British style plugs to dispense with the highly problematic and very melt-prone plug adapters. All seemed good until….
Uh oh. Maybe it just needed to create a little vent….
Nope. Melt down. Good thing these have a built-in fuse… (which is still fine, though encrusted in melted plastic).
What happened to 1920×1200 laptop displays? Why are all new laptops regressing to 1920×1080? That’s the most asinine, disappointing regression since the end of commercial supersonic transport. It is so sad to be living in a world that is moving backwards at an ever accelerating pace.
My first transportable computer was a Mac Portable with a 640×480 screen and I lived with that through a couple of generations. Eventually I got a Dell with 1440×900 pixels and could actually do some real work on it. About 10 years ago I got a Dell M70 with 1900×1200 pixels on a 15.4″ screen and found an acceptable resolution for portable work. Little did I know that the era from about 2000-2010 would be the apex of laptop technology. It is all downhill from here.
Once I looked forward to a bright future with 17″ displays sporting about the same generally usable pixel pitch (about 147 pixels per inch). If the world had continued to advance technically, if the now retired SR71 wasn’t still the fastest, highest flying plane ever built, if the now retired Concorde wasn’t the only commercial supersonic aircraft, if the retirement of the space shuttle didn’t herald the end of US’s manned space flight capability, if we weren’t living on the burnt out ruins of our former capabilities watching our technical competency spiral down the toilet, we’d have WQXGA (2560×1600) 17.4″ laptops right now. Maybe even QXGA 15.4″ options for those of us with good eyes.
But we don’t. We have bizarre stupid Vaio VGN-AW11M/H with kid friendly 104 PPI displays sporting useless 1680×945 pixels on an 18.4″ screen. That’s a pixel pitch straight out of 1990. Thanks for nothing.
Nobody even makes a reasonably sized laptop with a 15.4″ screen with more than 1920×1080 pixels any more (the only WUXGA laptop I can find at any size is the oversized kidz pitch 17″ macbook pro). I’m going to have to stick with my W500, or buy used ones for the rest of my life. Laptop makers – there’s no way I’m going to regress to a less productive smaller pixel count. That’s just stupid. Pull your heads out and give us pixels. The only thing that really matters for productivity is pixels. More pixels=better. Less pixels=worse. Don’t bother releasing a new laptop if it is worse. If you’ve lost the competency, just pack it up.
Apple: the 264 PPI pitch of the 3rd gen ipad is pretty good. If you build a 15.4″ macbook pro with that pitch in QFHD (3840×2160) pixels instead of the bizarrely large type kid’s book useless 1440×900 pixel resolution the current 15″ macbook pro is crippled by, I would actually buy one to run Ubuntu on. And maybe even have a bit of hope for the future.
(I’d suggest refraining from buying a laptop until 2013: ivy bridge will make 1920×1080 laptops as quaint as those 640×480 displays from 1990: the era from 2010-2013 may be known as the dark ages of laptops.)
While David Pogue’s opinion piece “Put Down the Pitchforks” makes a valid point about the alliance of varied views on the utility and validity of copyright that have come together to oppose SOPA/PIPA, the differences are more subtle than his language indicates.
Everyone, even those characterized (somewhat fairly) as the “we want our illegal movies” crowd, is horrified that the United States would contemplate outright censorship of the web à la North Korea or Iran, something we actively fight quite vigorously, and with USAID and State Department support, to ensure that dissidents can circumvent similar blocking schemes.
There is no way to fix the language of the bills to rule out those abuses. Universal filling a flagrantly illegal DMCA takedown request with YouTube to censor the MegaUploads advertisement video, the pernicious use of malicious prosecution by the RIAA, and the recent MPAA/Chris Dodd bribery flap all demonstrate incontrovertibly how the entertainment industry has been utterly shameless to date and there is no basis for the belief that they would voluntarily refrain from an aggressive and likely illegal extension of whatever new powers they are offered. If anything, we need stronger legislation to discourage the current abuse of litigation and take-down powers.
Thus everyone, including those that believe that copyright needs to be extended (again, further), recognizes that the premise of SOPA/PIPA—that parts of the international internet have to be blocked in the US—are fundamentally flawed and cannot be repaired.
The differentiation between the “ignorant mechanism” and “ignorant goal” camps is, however, unfairly characterized by Pogue when he draws an analogy to shoplifting. Copyright is not a property right—it is a privilege that is granted by we the people, an exchange where we the people voluntarily relinquish our right to copy, and we gift the inventor with a temporary monopoly as an incentive to promote the progress of science and the useful arts.
It is not “stealing” to copy a movie; it may be illegal, but it is not stealing. There is no legal basis to consider such an act theft—not in natural law, not in “denial of utility.”
“If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of every one, and the receiver cannot dispossess himself of it.”
The basis and purpose of copyright is codified in the constitution: it is an agreement between we the people and inventors to promote the progress of science and the useful arts, it is neither a property right nor a human right. If any copyright legislation fails to advance the cause of promoting the progress of science and the useful arts it is simply prima facia unconstitutional. And not a single extension of copyright law, back to and including the Sony Bono Copyright Extension Act, has even bothered to pay lip service to the obligation to promote the progress of science and the useful arts.
The problem is that these bills retard progress by hampering important and economically relevant industries for economically irrelevant ones (regardless of how nostalgic they might be). It is fair, still, to frame copyright protections and copyright modifications with respect to the expected actual net contribution to the progress of science and the useful arts, as the constitution requires. It is unlikely that such an analysis would favor complete abolition of copyright but it is clear that only a mechanism closer to the patent model makes sense: a very limited and carefully regulated temporary monopoly granted to inventors and creators in return for fully contributing their efforts to the public domain promptly thereafter.
(Edited and enhanced by Carolyn Anhalt)
Megaupload, the company that enables easy file transfer used by 50,000,000 people every day, was sized by the DOJ. Check www.megaupload.com
This is an illegal, unconstitutional seizure. It is an example of the scum who run entertainment companies like Universal (who illegally got MegaUpload’s video yanked from youtube by filing a false DMCA takedown) turning US law enforcement and the US judicial system into criminal enforcers to create a business model around theft and intimidation to replace their obsolete and irrelevant role as gate keepers and toll collectors between artists and their audiences.
If SOPA/PIPA pass, links to the sized domain would have to be expunged from any site even talking about them. This is intolerable. It is a subversion of democracy and outright theft of the public domain by those who would retard or even reverse progress to protect their profits and wealth.
The constitution grants the privilege of a temporary copyright to artists and inventors as a mechanism to promote the progress of science and the useful arts. Laws that extend this privilege in a manner that fails to promote the progress of science and the useful arts are plainly unconstitutional. Record companies have no natural right to stop you from using your hardware, your devices, to rearrange the bits on your systems in any way you like. They have turned the discussion to claim they have a property right to your data through manipulation and outright lies. The only fair response to their illegal and heinous acts is to revoke their privilege and drive them swiftly into bankruptcy so they no longer have the resources to bribe our representatives into ignoring the constitution.
The DOJ should be using RICO to shut down entertainment companies that use intimidation to protect profits, not innovative companies acting to expand the public domain in a manner clearly consistent with the goals of the framers of the constitution.
Carolyn and I were flying from LGA to DCA early this morning. I booked an award ticket through UAL on USAIR, but mine was a connecting flight through PHL as there wasn’t any availability on the direct for award tickets. On UAL this means you have a confirmed flight on the less optimal route but if there are seats at the gate the agent will get you to your destination the most efficient route available, which is also the lowest CO2 emission route and the lowest cost route for the airline: everybody wins.
I called US air the night before to verify that I could fly standby (no problem, I was told) and that there were seats (looks like plenty, I was told). No problemmo.
But not with US-Air. Not that they weren’t friendly enough, but as my booking class was “X” and they didn’t have any “X” seats left, they couldn’t book me even though there were plenty of open seats. I tried with the gate agent, the supervisor, all to no avail. I called UAL but they don’t have any visible inventory because US-Air doesn’t share it with them. US-Air tells me UAL has to get me into one of their open seats. UAL shows no open seats.
So I figure I’ll just go to the gate. Gate agents have special powers over last minute seating. I show them my ticket and they immediately hand it back “no, we already called United, they won’t put you on this flight.” I’m thinking there must be a note on my ticket – but no, apparently the counter had called the gate and specifically told them not to let me on the flight. I get on the phone with UAL and they tell me “I don’t understand why they won’t just accept your coupon.” No budging.
I thought maybe I’d take the shuttle over to JFK and fly direct to IAD, but Carolyn pointed out there was a UAL express flight from LGA-IAD. As I have to get back to IAD later in the day anyway, it is a better option (pick up a rental car and drive myself into DC and back out). UAL got me on it no problem. I bus myself over to the UAL counter, and a very cool and very knowledgeable agent at the counter tells me about his family in Italy and his recording business in Rome while he gets me a very good seat on the LGA-IAD shuttle and clears my upgrade and tickets me for tonight’s flight back to SFO. Friendly agents, premium seating, no hassle, expedited security line.
UAL win: USAir Fail.
Glad I’m not causing a transfer payment after all. Lesson: it is worth flying a less convenient route on UAL than a more convenient one on USAir.