In 1998 I gave a talk at DefCon 6 titled “Copyright vs. Free Speech,” the gist of which was that in order to protect the profits of the publishing industry in the face of technology which obsoleted centralized publishing, publishers had begun to buy from congress increasingly draconian legislation to protect their obsolete business model.
They have been patient and effective, implementing a long-term program of carefully designed disinformation to turn an effective method of promoting the progress of science and the useful arts into a weapon to aid extorting profit from the people’s commons.
Due to the success of their propaganda campaigns, it bears repeating that authors have no right to profit from their works. They do not “own” ideas. They, nor their assignees, have any right to control the reproduction, reuse, or dissemination of ideas and inventions once they’ve chosen to make them public. We the people have chosen to gift them with a temporary monopoly on commercial exploitation of their inventions as a mechanism the founding fathers thought would serve to maximize the availability of freely usable ideas in the public domain; that is, to promote the progress of science and the useful arts. A premise they have utterly perverted.
Any law which expands copyright steals from the public domain and gives exclusive right to commercial exploitation to the beneficiary. The copyright industry has been incredibly successful in bribing politicians into allowing them to graze their cattle in our public parks without any additional compensation to the public. Indeed, new copyright laws don’t even pay lip service to the public good and focus entirely on maximizing profits at the expense of the public domain. These legislative disasters are prima facia unconstitutional.
A new agreement, endorsed by the White House, effectively implements the dystopian warnings I gave in my 1998 talk: ISPs will begin to directly enforce copyright, acting as the muscle for the new business model the copyright industry has turned to now that publishing is obsolete: direct shakedowns.
It was clear in 1998 that if our economy was turning to the then touted model of an “information economy” (and not making things) it would become necessary to police the flow of information to block the unauthorized exchanges of ideas lest someone freely share an idea for which a private entity has been granted a monopoly and undermine the profitability of the imaginary economy.
Aside from the loss of privacy and retarding progress and the useful arts, a problematic consequence of the monitoring necessary to ensure the exchange of ideas is taxed is that citizens must always be monitored, and now directly and intrusively by their ISPs. Monitoring has a chilling effect on free speech as people are naturally disinclined to openly dissent, to only speak privately of ideas that challenge entrenched interests. Intrusive monitoring is an effective tool of totalitarianism by destroying the privacy in which informed dissent grows strong enough to overcome the entrenched.
There is no practical way to implement an effective monopoly enforcement scheme at the ISP level without active monitoring of every digital interaction, from every website visited to every message exchanged, lest one hide a privatized bit. ISP monitoring undermines the foundations of democracy, at least the significant portion which has migrated to digital forums. This is a massive implementation of the same monitoring technology and concepts used in Syria and China to control dissidents, applied here merely to further enrich a few petty plutocrats.
ACTA is apparently going into force this month, implementing still secret rules that will make everyone with an internet connection an international criminal in order to protect people with obsolete business models. Since the cost and value of publication, editorial review, and syndication have dropped to near zero thanks to the invention of broad direct distribution, the “recording” industry is obsolete. Why do we need an industry to make records when nobody buys records any more? The industry has changed business plans to extortion.
But the recording industry has historically made a lot of money and people with money hate giving it up and won’t do so without a fight. If the population won’t buy the recording industry’s products any more, choosing instead to shoulder the incremental cost of self-publication in a collaborative model, then the recording industry, naturally, turns to increasingly draconian efforts to preserve their revenue stream. It is far more cost-effective to co-opt the government and exploit public-funded investigatory and prosecutorial resources than to, say, pay private security to break into people’s houses and businesses: as a bonus working though the courts they can seize children’s college funds: keeping kids out of school means they won’t grow up to found competing industries. If there’s nobody left capable of innovating, there’s no point in the government enforcing that obsolete constitutional thing about “promoting the progress of science and the useful arts.”
Peer-to-peer communications and especially self-publication technologies have always been a threat to the copyright industry. The DMCA was a huge victory for a dead industry and helped preserve it well beyond any economic utility at a tremendous cost to innovation and progress. But the copyright industry may still win a losing battle by shifting the cost of prosecuting civil infringement to the public and other industries by creating a new class of crime: not optimizing copyright industry profits.
That’s the way this American experiment is supposed to work. If we’re going to export our sweaty paranoia about piracy and our over-reliance on entertainment as the key to our country’s solvency, we ought to at least counterbalance it with a respect for the underpinnings of our democracy