dancer

TFF 38 D1F2: Pina

Saturday, September 3, 2011 

Pina is Wim Wenders tribute to Pina Bausch in 3D.  I’m not a big dance fan, not even ballet let alone modern dance, but this was a very beautiful film and I enjoyed it.  Wim Wenders introduced the film and told the audience how he had met Pina 20 or more years before starting production and had wanted to make a film about her.  For all of those 20 years every time they crossed paths she asked if he was ready to make his film and he said he didn’t know how, but was learning.

Wenders said he was quite taken by 3D, specifically U2 3D which he thought was a great name, but more so that the 3D technology used was sufficient to capture the essence of Pina’s dance, and so he began production, but just before production was to commence, Pina passed away.

The dancers in her troupe convinced him that he should make the film, that it is what she would have wanted, and so the film is both an beautifully shot document of Pina’s dance troupe and a tribute to Pina.

I’ve been involved with 3D film for a long time (going back 16 years I built a stereo rig from a pair of Arriflex cameras for Michael Naimark’s Be Here Now).  This was the first time I got to see Dolby’s double-tristmus 3D .  The way it works is each projector projects an approximately RGB signal, but with the exact wavelengths of RG&B shifted between them (and not shared).  The passive glasses pass only the correct eye’s 3 color wavelengths and reject the rest.  Looking through them, one is slightly magenta shifted and one slightly cyan shifted, but you quickly compensate for the slight color error, especially since one eye errs one direction and the other the opposite.  If you look through both a left eye and a right eye filter (say by borrowing your neighbors pair and putting them over yours upside down), almost no light passes.

The 3D quality of the movie is quite good, better than shutter glasses with less peripheral annoyance.  Only very bright highlights (like the glint of lights in a dancer’s eye) exhibited odd stereo artifacts.  It is commonly noted that the focal accommodation and parallax accommodation of a stereoscopic projection is very wrong–your eyes focus on the same plane (the screen) no matter what the image displacement is, so your mind gets two conflicting data inputs – one saying “I see 3D” and the other saying “I’m focusing on a plane” and the result is eye strain and often headaches, and this technology is no different.  It definitely caused some eye strain to watch it, but the effect was good and overall I’d say worth it.

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Posted at 00:37:38 GMT-0700

Category: filmsPositivereviews

Ovulatory cycle effects on tip earnings by lap dancers

Wednesday, January 30, 2008 

Dollars Earned Per Stripper Shift by phase of heat

In an article titled “Ovulatory cycle effects on tip earnings by lap dancers: economic evidence for human estrus?” in the Journal of Evolution and Human Behavior 28 (2007) 375-381, Geoffrey Miller, Joshua M. Tybur, & Brent D. Jordan presented the results of an experiment designed to test the correlation of tips earned by lap dancers as a function of fertility as a proxy for sexual desirability.

The study was soundly constructed and enrolled 18 dancers who supplied data on 296 work shifts and approximately 5300 lap dance performed during that period. A lap dance was described as “entail[ing] intense rhythmic contact between the female pelvis and the clothed male penis.” (Barton, 2006; Beasley, 2003).

The results showed that exotic dancers in heat earned approximately $70 per hour, dancers in luteal phase earned about $50 per hour, while dancers “on the rag” earned about $35 per hour. Taking the pill, which induces a state of pseudo-pregnancy, results in an income loss of about 30%, which suggests substantially diminished sexual desirability; a good reason to consider an IUD.

The author’s conclude that:

"In serially monogamous species such as ours, women's estrous signals may have evolved an extra degree of plausible deniability and tactical flexibility to maximize women's ability to attract high-quality extra-pair partners just before ovulation, while minimizing the primary partner's mate guarding and sexual jealousy. For these reasons, we suspect that human estrous cues are likely to be very flexible and stealthy—subtle behavioral signals that fly below the radar of conscious intention or perception, adaptively hugging the cost–benefit contour of opportunistic infidelity."

Perhaps the most interesting revelation of the paper is the number of academic research papers that have been published on exotic dancers including, in addition to this one:

Read more…

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Posted at 21:41:47 GMT-0700

Category: oddreviews